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Notes In Observance – ROH Wrestling 2/8/17: Taking Umbrage To The Umbrella
By Nicholas Jason Lopez
“Notes In Observance” features random thoughts and analysis on television shows. Quick results can be found at the bottom of the post.
(Aired 2/8/17)
Taking Umbrage To The Umbrella
– The Punishment Damien Martinez/BJ Whitmer-War Machine match carried off past quarrels where a match went to the wayside for the purpose of pointless brawling. At least it gives the four something to do, as Martinez’s future’s the most to gain here. It also helped this episode that Colt Cabana was on commentary in classic boastful heel mode. We also liked the little touch that WM wore face paint. It adds to their look, albeit in a “Braveheart” way. Whitmer seems to get “go away heat” and that continued here as not much action occurred. There was a moment where Hanson performed a spot where he repetitively ran his opponents in the corner, to the point the fans did the rally cries with him. It lasted about a minute, legitimately. There were some consistent double-teams on both ends, including an impressive pop-up powerslam by WM. The finish is where things get silly again, because the four men are so into the brawl, the damn 20-count passes them right by. Countouts in ROH are just ridiculous. The only solace taken here was that Martinez/Hanson could make an intriguing singles match one day. Let’s hope they go that route.
Notes In Observance – WWE Raw 5/16/16: Flair For The Dramatic
By Nicholas Jason Lopez
“Notes In Observance” features random thoughts and analysis on recent television shows. Quick results can be found at the bottom of the post.
(Aired 5/16/16)
Flair For The Dramatic
– Broadcasted from North Carolina, it was expected that the southern crowd would favor AJ Styles and they treated him like a star. He wasted no time as he referenced endless tweets and accusations from fans and WWE World Heavyweight Champion Roman Reigns that he used Karl Anderson/Luke Gallows as a “master plan” to get him to the top gold. Convenient that he had time to compose all those tweets in a simple video, huh? Anyways, Reigns’ two cents on this made sense, especially after Styles defended himself when he said he sold out arenas and won World Titles elsewhere all on his own. Reigns continued to play up his tweener side as he reacted to fans’ “Seth Rollins” chants and told them they wouldn’t get him. Both guys played up the later Usos-Anderson/Gallows tag match as they hyped that they’d both be out in their respective corners. It was well-established that their next match would be unlike what we saw at Payback, because this time it was Extreme Rules. The physicality to end things was okay for what it was, as Styles was cocked with a right from Reigns when The Usos emerged behind the Champ after Gallows/Anderson’s music hit. Your usual “combustible elements” to further this feud between “The Bloodline” and “The Club.”
Notes In Observance – WWE NXT 5/11/16: The Day The Music Died
“Notes In Observance” features random thoughts and analysis on recent television shows. Quick results can be found at the bottom of the post.
(Aired 5/11/16)
The Day The Music Died
– This show had purpose from the first second, as the opening video hyped Finn Balor’s first appearance since he lost his NXT Championship to Champion Samoa Joe at a live event in Lowell, Massachusetts. Oh snap.
Notes In Observance – ROH Wrestling 12/16/15: Primed For A Final Battle
By Nicholas Jason Lopez
“Notes In Observance” features random thoughts and analysis on recent television shows. Quick results can be found at the bottom of the post.
(Aired 12/16/15)
Primed For A Final Battle
– The Adam Cole-Corey Hollis match served as a basic squash (guess Hollis doesn’t only job in NXT) but we still think Cole gave up more offense than necessary, but it did its job. Cole messed with first-row fans by telling them to get up and move acting like he’d throw Hollis over the barricade only to tease them by tossing him back into the ring. It wasn’t long before Cole put Corey to sleep and as expected, he promised to end Kyle O’Reilly at Final Battle once and for all.